We’re out there again, and here’s a little video evidence. Care to join us for a beer?
https://www.youtube.com/watch?v=8yCEOA0Vs5Y
4 Likes
Great sound and the BB parts are so well placed. Are you programming the entire track so only one pedal stab is necessary?
Also it’s so good to see a Bass VI in action! I use a 1967 Bass VI, wouldn’t be without it in my studio but too valuable to take out 
Mark will be thrilled that someone actually knew that was a bass!
When he bought it, he played a Fender reissue and the Squier he ended up with back to back, and the Squier sat in the mix better than the reissue Fender did. He has since added a Harley Benton bass-6 for live gigs as a backup, and it definitely punches above its weight.
I program most of my songs in traditional parts – verses, choruses, solos, and bridges – and drive them live. That gives me a lot more flexibility if a song is going over gangbusters (or if it falls flat on its face). The only ones I usually do as one-press tunes are the ones where I have more pedal dance to do than I have feet (Dead or Alive grudgingly became a 1-press because of this). But, for the most part, I like to drive the bus.
My ‘67 Bass VI is perfect for what I do and heaps better than the Squier or the late Fender VI models. I haven’t tried the HB ones but one day??? I also have a Jap Jaguar Baritone which is ok but I’ve yet to find a good reason for the upper controls? The worst thing about the Baritone is the 28.5 scale and getting flat strings - impossible and nobody makes them - Typical Fender, no after sales support. I’m in the process of learning how to program the bloody thing 
Mark never had the option to try an original, but if you’d like to send it by…
LOL
Hello, I found you on the BeatBuddy forum and YouTube. I’ve been making music again recently and unfortunately I lost the file with the drum settings. My question and request, can you send me the file for the BeatBuddy